Something from Flickr

Labels Labels Labels!

2010 2011 2013 2014 actor type Adam Sandler movies admitting mistakes an Athena Angkor Wat Angola 3 ARRI Alexa art is dead Art is Voice Awesomely Bad believe Best Films of 2010 best movie songs Can Doesn't Mean Do casting conundrums catharsis Center Stage champions change choice cinematography iii cocooning communication failures Conquest Without Contribution Constantine Context is King dance movies death of story Diana Ross Live disclaimer disclosure distribution no man's land dreamkilling dues Ella Fitzgerald is Queen essanay Eternal Sunshine of the Spotless Mind expression film cohesion film continuity film curio film is dead film poetry gaslighting Grease 2 Gremlins grin and bear it guerrilla filmmaking horror human need I Dreamed a Dream I'm Not Here If you have nothing to say you have no business making art image blinded imploding In the Land of the Free In the Mood for Love Independent Spirit Awards 2010 Independent Spirit Awards 2012 inspiration It's About Me ivory towers John Coffey lawrence of arabia learning from mistakes Lensbaby life is hard Listmania loss or gains love lust mamet Max Payne mindache modern princesses Mole Richardson Moonrise Kingdom More Isn't Better morning glory my films National Treasure Netflix on hold nothing ventured notti di cabiria on fire one inspired moment pearl costume photoplay planning problems previews Range is overrated regard dans le vague relating reprehensible media Robert Duvall reigns supreme role of women romantic comedies roundup score scorsese selective focus self set shit shows shorts Shutruk-Nahunte Silent Hill simulator small crews spoofs Step Up story is dead Storyframer storytelling talking into the ocean Tao of Gizmo the gambler Tiger's Nest Tilt-Shift Photography too many movies Tubb City typecasting walk away We had a moment and then it passed whispering into a tree wilder Women In Film Worst Films of 2010 writing is dead You Do It For You You Don't Want What You Want

Blog Roll

Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts

Tuesday, February 22, 2011

2010 Film Roundup: Best & Worst Viewed in 2010

Chronicling the highs and lows of the 300 films & series I watched over the last 13 months. All new to me (though not necessarily new).

Most Abysmal Viewing Experiences:
Most Annoying (Characters): Madeo (2009)
Most Embarrassingly Bad: Macgruber
Most Campily Bad (& Annoyingly Fake Accented/Overall Faux-->
     your movie-making is showing): Daybreakers
Most "Plain Bad": Legion
Most Insipid: Killers, Sorry, Thanks, G.I. Joe: The Rise of Cobra
Most Insubstantial: Sex and the City 2, Amelia
Most Uninspired: Videocracy
Most Ridiculous: The Spirit (2008), Eyewitness (1981)
Most "WHY?": Repo Men --> Best thing to come out of this viewing: This SONG:
     William Bell "Everyday Will Be Like A Holiday"
Most Nonsensical (Assemblage of Scenes): Bestia nel cuore [Don't Tell] (2005),
Death in Love (2008), Imaginarium of Doctor Parnassus
Most Unwatchable: Lovely Bones (2009), My Dinner With Andre (1981),
The Killer Inside Me
... Special Mention: Antichrist (2009) (I've actually yet to finish it. It's been that hard to stick with. Many have told me if I ever want to enjoy sex with another human again, not to continue.)
Special Category: Jonah Hex -- It was bad, yes. But mostly, it was only half a movie. Or several different movies mashed together and still under feature-length run time. Either a massive amount of material was edited out or they didn't have enough to begin with. The screening I saw only hit the 70-minute mark thanks to 10 minutes of credits.

Most Memorable, Well Acted, Well Made &/or Cinematically Satisfying:
Winter's Bone -Just all around wonderful: acting, photography, tone, screenplay
The King's Speech -Quirky, nicely acted feel-good story. Rush was a gem.
The Social Network -Well made, sobering film
The Secret in Their Eyes (2009) -Touches that human-in-all-of-us note. Argentine cinema has been magnificent for several years now.
Crazy Heart (2009) -Actually saw this during 2009's voting rush & it just totally won me
A Single Man (2009) -Despite the end, beautifully lyrical
The White Ribbon (2009) -The film that makes me believe Haneke's finally reaching his potential and making whole films, not just fact/event presentations of sadists
Everlasting Moments (2008) -Quiet with an ethereal quality, touching on those human moments/needs
The Milk of Sorrow (2009) -There's almost nothing there, but it's executed beautifully. Lovely photography
Broken Embraces (2009) -Watching a filmmaker who is so clearly inspired by film is like watching passion on parade. Almodovar's sheer love of cinema is indelibly woven into this film. Only Tarantino rivals him in this respect. They know exactly what to do to get a desired result.

Lola Montès (1955) -Ophuls and his wonderful camera movements
The Good, the Bad and the Ugly (1966) -Leone, master of this genre
Forbidden Games (1952) -Crushing, real, and full of amazing child acting
The Prisoner (1967) -Despite some lulls & the end, incredible idea
Harakiri (1962) -Social dissent in the guise of ritual
Red Beard (1965) -Life lessons, though a bit meandering
The Warriors (1979) -A subtle odyssey. Tonally perfect. Restraint with an over-the-top theme. A film relevant then & now that I'm not sure could be made today
Bigger Than Life (1956) -Despite the third act. Great looming staging & photography
The Magician (1958) -I'm not sure I get the larger analogy of the artist from the film itself, but Bergman is a master of atmosphere and images from his films imprint in my mind. I can still see moments from this months later. That's remarkable.

Babies -Babies are universal. Pleasing presentation, beautifully photographed
Scott Pilgrim vs. The World -So clever and cleverly done
Me and Orson Welles -Complete and well acted
Io sono l'amore -Though not terribly satisfying, has something intangibly seductive
Mother and Child -I disagree with how it ends, but there are some really strong elements to this film, not the least of which is Naomi Watts.
+ 2009 special mentions: Gomorrah, Sin nombre, Fantastic Mr. Fox

Yes, only 8 of the "best" were actually from 2010.